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Eric Fichtl
<p>'Memory' and 'vote blank' – two slogans summarising popular exasperation with the post-dictatorship Argentine political landscape. <br /></p>

Thanks for visiting. This website features my photography, writing, and a bit about me.

PHOTOS

Here is a random sample of my photos. Visit my galleries for many more.


<p>Basketball courts shot from an urban cable car.</p>
<p>Cologne's Ebertplatz shows its 1970s urban design, provoking the usual love-hate response. While the dark corners of its pedestrian underpasses have raised concerns about crime and safety, these recesses also host art galleries and restaurants (like this Nigerian place).</p>
<p>A mock road sign comments on U.S. gun culture.</p>
<p>This mural on the wall of a squat is part of the Giant Storybook Project by Herakut, a street art duo from Berlin.</p>
<p>Two soldiers guard a street corner in central Tame, a town in Colombia's war-ravaged Arauca department. Their presence was part of an attempt to hold the town after it was reclaimed from guerrillas. <br /></p><p>They are laughing at a joke my colleague made about the relative size of their weapons – indeed, the US M60 carried by the soldier at left is a hefty machine gun often fired by a team of two or three gunners, while the soldier at right carries a more standard-issue Galil, an Israeli derivative of the infamous Soviet/Russian AK-47. </p>
<p>A farmer carries some of his harvest through terraced paddies.</p>
<p>Jorge Bernal was mayor of the rural town of Tame in 2003, when my colleague Garry Leech and I interviewed him about the war engulfing his region. Here he shrugs off a fax from the FARC guerrillas denouncing him as a 'narcoparamilitary'.<br /></p>
<p>A street in San Telmo wakes up with a bit of a hangover.</p>
TEXTS

A lot of what I write professionally carries no byline. Here are some of the works I have put my name to.