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Eric Fichtl
<p>A man thinks while drinking pulque, a traditional Mesoamerican indigenous drink made from the maguey plant.</p>

Thanks for visiting. This website features my photography, writing, and a bit about me.

PHOTOS

Here is a random sample of my photos. Visit my galleries for many more.


<p>In Buenos Aires, a stencil proclaims 'The dingo ate my baby' beside a sticker of a local variant of Shepard Fairey's 'Obey' giant. That is, an Australian mother's cry of despair from a real-life case in 1980, channeled by Meryl Streep in a 1988 US film and amplified to absurdity in 1990s TV series from <em>Seinfeld</em> to <em>The Simpsons</em>, appears alongside a sticker riffing on a US street artist's work (itself a rendering of Andre the Giant, a deceased pro wrestler, paired with a line from a 1988 John Carpenter film, <em>They Live</em>) while invoking the arcane Spanish verb form barely used outside Iberia or churches – and they somehow come together on an electric box in Argentina's capital in 2015. It sort of makes sense. Or not. No idea.</p>
<p>An angular modern house plays with the slope of its plot near Bressanone. The large front windows overlook vineyards.</p>
<p>A view over Athens toward the Strefi hill, from the Acropolis.</p>
<p>A waterfall about a day's hike north of Upsete, in the Grånosmyrane reserve in central Norway.</p>
<p>The momentarily forlorn faces of shoppers at a market in Rio de Janeiro.<br /></p>
<p>A cluster of makeshift homes on the outskirts of San Salvador. Such homes represent years of effort by their inhabitants, but often these neighbourhoods lack essential services like plumbing, refuse collection, and official recognition of the residents' title to their land. These districts are peripheries not only in the geographical sense, but also in terms of political and economic attention.</p>
<p>Cherry blossoms in bloom in Berlin. <br /></p> <p>The swirling background comes from a fantastic old lens, the Asahi SMC Takumar 135/f3.5. </p>
<p>A figure crosses the Ponte de la Balote by night.<br /></p>
TEXTS

A lot of what I write professionally carries no byline. Here are some of the works I have put my name to.

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Washington Has Lost Its Way in Colombia

Evidence from Putumayo, as well as the streets of U.S. cities, make clear that the fumigation campaign is a monumental failure.
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Civilian “Collaborators” in Colombia’s Conflict

Though press reports often cite deaths of civilian collaborators, what qualifies as “collaboration” is rarely explored by mainstream coverage.
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On Proyecto Desaparecidos' 'Muro de la Memoria'

The Muro invokes the unresolved nature of disappearance, reminding us of the special anguish this crime inflicts. It is also an invitation to action.