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Eric Fichtl
<p>A woman waits at a level crossing in Buenos Aires.</p>

Thanks for visiting. This website features my photography, writing, and a bit about me.

PHOTOS

Here is a random sample of my photos. Visit my galleries for many more.


<p>A narrow street in the Barri Gòtic, the oldest quarter of Barcelona. Shot in the mid 1990s, when the post-Olympic boom was already changing the Catalan city, this photo shows a bygone era. You'd be hard-pressed to find a street in the Barri Gòtic that looks anything like this now.<br /></p>
<p>A view of the Kollhoff Tower, a distinctive skyscraper occupying a sharply angular corner at Berlin's Potsdamer Platz.</p>
<p>A scene along a trail in the Isarco valley, near Sciaves / Schabs.</p>
<p>A stark warning on a wall in Santiago: 'If the government is capitalist, we will be ungovernable'.</p>
<p>In the early 2000s, these two women helped scores of people each day, typing forms and offering advice from the lobby of an administrative office in Sofia. Elsewhere in the city, it wasn't unusual at the time to see entrepreneur typists on the city pavements, typewriter at the ready, near any office where carefully completed forms were a requirement. </p>
<p>Graves interweave within the constraining walls of Marrakech's Miaara, a Jewish cemetery in the Mellah district (once the Jewish quarter, when the local population was larger).</p>
<p>A small crowd watches their neighbours playing football, somewhere in Timor-Leste's east. </p>
<p>As part of a memory project, artist Roderick Sauls installed two replica Apartheid-era benches outside the High Court Annex in Cape Town in 2007. It was here that race classification hearings took place based on the Population Registration Act (in effect from 1950 to 1991). A second law, the Separate Amenities Act of 1953, ensured the pseudo-mantra of 'separate but equal' by installing facilities like benches and water fountains designated 'Whites only' or 'Non-whites only'. <br /></p><p>Sauls' benches quote precise definitions from the legal text as a reminder of the fallacy, and provoke quite a reaction when stumbled upon...</p>
TEXTS

A lot of what I write professionally carries no byline. Here are some of the works I have put my name to.

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The Massacre at Betoyes

An armed group attacked the indigenous Guahibo community at Betoyes. Who was it?
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El Equipo

Bernardo Ruiz's documentary explores the origins and impact of the Argentine Forensic Anthropology Team (EAAF)
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A Beginner’s Guide to Multilateral Lending in the 1990s

A briefing on key terminology and institutions.