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Eric Fichtl
<p>A pair of hikers heading toward the Sas de Pütia / Peitlerkofel peak, visible during a brief clearing in the mists and clouds that were whipping around up there. </p>

Thanks for visiting. This website features my photography, writing, and a bit about me.

PHOTOS

Here is a random sample of my photos. Visit my galleries for many more.


<p>A group of men practice football along Rabat's tattered beachfront.</p>
<p>A woman stands near an office for the Committee for the Defence of the Revolution. Set up in the early days of the Cuban revolution to counter saboteurs and counter-revolutionary activities, they have persisted as a sort of hybrid 'neighbourhood watch' and community welfare association. Critics contend they constitute little more than a vast network of informants for the government, while defenders claim they are essential for the local coordination of everything from vaccination campaigns and blood drives to hurricane evacuations.</p>
<p>Wildebeests walk in single file to hide their numbers, maybe. <br /></p>
<p>A female Steenbok looks up from browsing for tasty grass. Steenboks are a small species of antelope. </p>
<p>The platform at Schönhauser Allee S-bahn station. </p>
<p>As part of a memory project, artist Roderick Sauls installed two replica Apartheid-era benches outside the High Court Annex in Cape Town in 2007. It was here that race classification hearings took place based on the Population Registration Act (in effect from 1950 to 1991). A second law, the Separate Amenities Act of 1953, ensured the pseudo-mantra of 'separate but equal' by installing facilities like benches and water fountains designated 'Whites only' or 'Non-whites only'. <br /></p><p>Sauls' benches quote precise definitions from the legal text as a reminder of the fallacy, and provoke quite a reaction when stumbled upon...</p>
<p>Security forces muster while a team of workers sweep the space beneath the hulking mass of the Museu de Arte de São Paulo.</p>
<p>A limestone wall bakes in the Adriatic sun of Corfu.</p>
TEXTS

A lot of what I write professionally carries no byline. Here are some of the works I have put my name to.