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Eric Fichtl
<p>'Memory' and 'vote blank' – two slogans summarising popular exasperation with the post-dictatorship Argentine political landscape. <br /></p>

Thanks for visiting. This website features my photography, writing, and a bit about me.

PHOTOS

Here is a random sample of my photos. Visit my galleries for many more.


<p>The starry night near Parey.<br /></p>
<p>A storm front moves in over rice paddies near Ubud, on Bali. </p>
<p>Guangzhou's Canton Tower (formerly the self-defining TV Astronomical and Sightseeing Tower) is a twisting geometric latticework that climbs to a frightening 462 metres. Designed by Mark Hemel and Barbara Kuit, it topped out in 2011 and lights up in a swirling rainbow of colours every night.</p>
<p>In Kliptown, Soweto, a monument conveys the popular demands of the Freedom Charter – drawn together in 1955 as a unified statement of ambitions by numerous anti-Apartheid political movements including the African National Congress (ANC). The Charter is unambiguous in challenging the racialist regime and its organisers were branded traitors by the Apartheid government. <br /></p><p>Less than 40 years later, sections of the Freedom Charter were incorporated into South Africa's new constitution, and the ANC emerged as the ruling party. </p>
<p>Moscow's GUM runs the length of one side of Red Square. It dates from the late 19th Century, and was designed by Alexander Pomerantsev and Vladimir Shukhov. Shukhov in particular engineered this stunning glass roof, which covers several storeys of passages and created a climate-controlled shopping experience long before the suburban shopping mall concept. <br /></p><p>The name GUM, which stands for Main Universal Store (Главный универсальный магазин), was given to the facility during the Soviet period, and has stuck around since. Today, it really is a shopping mall – but with some serious architectural pedigree. </p>
<p>The fronds of a palm prepare to open.</p>
<p>A scene along a trail in the Isarco valley, near Sciaves / Schabs.</p>
<p>Security forces muster while a team of workers sweep the space beneath the hulking mass of the Museu de Arte de São Paulo.</p>
TEXTS

A lot of what I write professionally carries no byline. Here are some of the works I have put my name to.